{"id":2258,"date":"2020-05-12T17:01:32","date_gmt":"2020-05-12T16:01:32","guid":{"rendered":"http:\/\/www.armanami.org\/blog\/?p=2258"},"modified":"2020-06-01T15:48:58","modified_gmt":"2020-06-01T14:48:58","slug":"lumea-armaneasca-vazuta-de-ana-maria-narti","status":"publish","type":"post","link":"http:\/\/www.armanami.org\/blog\/lumea-armaneasca-vazuta-de-ana-maria-narti\/","title":{"rendered":"Lumea arm\u00e2neasc\u0103 v\u0103zut\u0103 de Ana Maria Narti"},"content":{"rendered":"\n

Critic de teatru reputat \u00een Rom\u00e2nia anilor \u201960, deputat\u0103 parlamentar\u0103 \u00een Suedia unde cere azil politic \u00een 1970, Ana Maria Narti zugr\u0103ve\u015fte cu o preciziune de entomologist\u0103 un tablou sesizant, pe alocuri sinistru, desigur realist \u015fi chiar hazliu al lumii arm\u00e2ne\u015fti din care provenea din partea tat\u0103lui. Examinat mai de aproape, acest tablou apare \u00eens\u0103 mai degrab\u0103 ca un fel de chintesen\u0163\u0103 a stereotipurilor la care se preteaz\u0103 aceast\u0103 lume atunci c\u00e2nd este privit\u0103 din exterior. <\/strong><\/p>\n\n\n\n\n\n\n\n

N\u0103scut\u0103 la Bucure\u015fti \u00een 1936 din mam\u0103 rusoaic\u0103 alb\u0103 \u015fi tat\u0103 arm\u00e2n, Ana Maria Narti a fost critic de teatru la <\/em>Contemporanul \u00eenainte de a r\u0103m\u00e2ne \u00een Occident \u00een 1970 \u015fi a cere azil politic \u00een Suedia unde va fi deputat\u0103 liberal\u0103 \u00een Parlament \u00eentre 1999 \u015fi 2006. \u00cen 2010 ea public\u0103 volumul <\/em>Fiare, \u00eengeri \u015fi martiri : \u00eensemn\u0103ri despre seduc\u0163ia totalitar\u0103 la editura Cheiron prefa\u0163at\u0103 de Adrian Cioroianu. <\/em><\/p>\n\n\n\n

Dup\u0103 ce evoc\u0103 familia matern\u0103 \u015fi patern\u0103, capitol din care sunt extrase textele care urmeaz\u0103, ea reconstituie parcursul s\u0103u politic\u00a0: ini\u0163ial anticomunist\u0103 ea se prezint\u0103 drept o marxist\u0103 \u015fi atee convins\u0103 \u00een anii \u201960. Schimbarea intervine progresiv \u00een urma\u00a0\u00a0e\u015fecului \u00ab\u00a0prim\u0103verii de la Praga\u00a0\u00bb din 1968. \u00cen Suedia \u00ab\u00a0anilor ro\u015fii\u00a0\u00bb, unde \u00ab\u00a0socialismul de tip ocidental era \u00een floare\u00a0\u00bb, ea se angajeaz\u0103 \u00eentr-o adev\u0103rat\u0103 cruciad\u0103 contra social-democra\u0163ilor care erau la putere. Pledoarie contra \u00eendoctrin\u0103rii inspirate de “political correctness\u00a0\u00bb \u015fi\u00a0\u00a0ideilor de st\u00e2nga \u00een general, cartea con\u0163ine de asemenea unele m\u0103rturii despre lumea teatrului rom\u00e2nesc\u00a0: Lucian Pintilie, Liviu Ciulei, Andrei Serban\u2026.\u00a0<\/em><\/p>\n\n\n\n

Pasajele care urmeaz\u0103 ofer\u0103 o imagine pe c\u00e2t de realist\u0103, \u00een detalii, pe at\u00e2t de stereotipat\u0103 despre \u00ab machedonii \u00bb \u015fi mai ales \u00ab machedoancele \u00bb din Rom\u00e2nia.<\/em><\/p>\n\n\n\n

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<\/p>\n\n\n\n

“Tat\u0103l meu [\u2026] f\u0103cea parte dintr-un grup etnic aparte \u2013 era macedonean sau machedon, arom\u00e2n, vlah cum spun mul\u0163i str\u0103ini. Grupul tr\u0103ia \u2013 cred c\u0103 tr\u0103ie\u015fte \u015fi acum \u2013 cu o ad\u00e2nc\u0103 loialitate fa\u0163\u0103 de sine \u00eensu\u015fi, loialitate care deseori lua \u015fi ia chipul complexului de superioritate. Tata obi\u015fnuia s\u0103 povesteasc\u0103 despre vechile t\u0103r\u00e2muri macedonene (aflate ast\u0103zi \u00een t\u00e2n\u0103ra Republic\u0103 Macedonia) : c\u00e2nd convoaiele negustorilor se preg\u0103teau s\u0103 str\u0103bat\u0103 \u0163inutul, potcoavele cailor se schimbau la grani\u0163\u0103, pentru ca nimic str\u0103in s\u0103 nu p\u0103trund\u0103 \u00een teritoriu. Nu pot \u015ftii dac\u0103 povestea e adev\u0103rat\u0103, dar ceea ce mica anecdot\u0103 afirm\u0103 clar este voin\u0163a de a \u0163ine tot ce e str\u0103in c\u00e2t mai departe. <\/p>\n\n\n\n

“P\u00e2n\u0103 \u015fi rom\u00e2nii (\u2026), erau v\u0103zu\u0163i ca un fel de calitate mai proast\u0103 al neamului, o variant\u0103 frivol\u0103 \u015fi lene\u015f\u0103 a propriului trib” <\/strong><\/p>\n\n\n\n

Caracteristic pentru macedoneni era efortul de a tr\u0103i foarte aproape unii de al\u0163ii \u015fi de a nu \u00eei l\u0103sa pe \u00ab ceilal\u0163i \u00bb s\u0103 intre \u00een grup. De fiecare dat\u0103 c\u00e2nd cineva din familie – \u015fi familia \u00eei cuprindea pe to\u0163i verii, veri\u015foarele, ca \u00een timpurile preistorice -, se c\u0103s\u0103torea cu vreo persoan\u0103 f\u0103r\u0103 r\u0103d\u0103cini cunoscute \u00een lumea macedonean\u0103 avea loc un mare scandal. C\u00e2nd am crescut destul pentru a deveni adev\u0103rata prieten\u0103 a mamei, am aflat povestea greut\u0103\u0163ilor \u00eenfruntate de ea ca t\u00e2n\u0103r\u0103 c\u0103s\u0103torit\u0103. O rusoaic\u0103 era pentru neamul tat\u0103lui meu aproape o s\u0103lbatic\u0103, faptul c\u0103 mireasa venea dintr-un cerc cu \u00eenalt\u0103 educa\u0163ie, care f\u0103cuse parte din \u00ab lumea bun\u0103 \u00bb, nu \u00eensemna nimic \u00een ochii macedonenilor. Distan\u0163a dintre imaginea idealizat\u0103 a propriei identit\u0103\u0163i \u015fi imaginea grupurilor f\u0103r\u0103 baz\u0103 \u00een mitologica mo\u015ftenire latin\u0103 macedorom\u00e2n\u0103 era enorm\u0103 \u00een mentalitatea acestor oameni. P\u00e2n\u0103 \u015fi rom\u00e2nii, cu care leg\u0103turile de rudenie nu erau contestate, erau v\u0103zu\u0163i ca un fel de calitate mai proast\u0103 al neamului, o variant\u0103 frivol\u0103 \u015fi lene\u015f\u0103 a propriului trib. <\/p>\n\n\n\n

Femeile b\u0103tr\u00e2ne \u2013 severe, cu basmale negre str\u00e2ns legate \u00een jurul capului \u2013 \u015fi b\u0103rba\u0163ii, siguri de sine \u2013 care se adunau la s\u0103rb\u0103torile familiei \u015fi vorbeau \u00een dialectul lor, de ne\u00een\u0163eles pentru noi, copiii \u2013 p\u0103reau s\u0103 tr\u0103iasc\u0103 \u00een Rom\u00e2nia modernizat\u0103 a anilor \u201930 \u00een acela\u015fi fel ca \u015fi str\u0103mo\u015fii lor din \u0163inuturilre muntoase ale Macedoniei. Cultul propriei identit\u0103\u0163i fusese \u00een cursul istoriei singura ap\u0103rare a acestei minorit\u0103\u0163i deseori amenin\u0163at\u0103 de asimilare for\u0163at\u0103 sau exterminare. C\u0103 ace\u015fti oameni doreau at\u00e2t de intens s\u0103 fie ei \u00een\u015fi\u015fi e de \u00een\u0163eles ; dar aceast\u0103 voin\u0163\u0103 se contopea automat cu distan\u0163are, dispre\u0163 \u015fi panic\u0103 \u00een fa\u0163a celorlal\u0163i \u2013 de ce, cum ? (Pp. 14-15.)<\/p>\n\n\n\n

Bunicii mei ru\u015fi luaser\u0103 cu ei eticheta, codul bunei purt\u0103ri, \u00een exil. Regulile de comportare corect\u0103 trebuiau urmate. (\u2026) La mama-mare, bunica din partea tat\u0103lui \u2013 v\u0103duv\u0103 \u00eenc\u0103 din prima tinere\u0163e -, totul era altfel. \u00cen camera ei, c\u0103ci locuia la noi, totul era t\u0103cere, severitate, \u015fi cur\u0103\u0163enie str\u0103lucitoare. Excep\u0163ia era covorul oriental care acopera toat\u0103 podeaua, un covor \u00een dulci nuan\u0163e de roz \u015fters. Desenele de pe covor ap\u0103reau \u00een visurile mele, c\u00e2teodat\u0103 at\u00e2t de distinct, \u00eenc\u00e2t \u00eencepeam s\u0103 cred \u00een mijlocul visului c\u0103 eram treaz\u0103 \u015fi m\u0103 aflam \u00een camera mamei-mari. O ame\u0163eal\u0103 ciudat\u0103 m\u0103 cuprindea c\u00e2nd, \u00een continuare vis\u00e2nd, \u00een\u0163elegeam c\u0103 nu m-am trezit.<\/p>\n\n\n\n

Ritualul t\u0103cerii la arm\u00e2ni si la locuitorii din nordul Suediei<\/strong><\/p>\n\n\n\n

Dur\u0103, curat\u0103, \u00eenchis\u0103 \u00een sine, mama-mare era prezent\u0103 \u00een via\u0163a noastr\u0103 f\u0103r\u0103 s\u0103 ne lase s\u0103 ne apropiem de ea. Ast\u0103zi \u015ftiu c\u0103 aceast\u0103 \u0163inut\u0103 era lege nescris\u0103 pentru ea. O macedoneanc\u0103 \u00een v\u00e2rst\u0103 n-ar fi putut concepe s\u0103 se \u00eembrace altfel dec\u00e2t \u00een culori \u00eentunecate, o v\u0103duv\u0103 se \u00eenchidea \u00een negrul doliului c\u00e2t\u0103 vreme era v\u0103duv\u0103 \u015fi pu\u0163ine v\u0103duve se rem\u0103ritau. Munca era punctul cel mai important al vie\u0163ii, familia era sf\u00e2nt\u0103 pentru aceste femei, divor\u0163ul era pentru ele cel mai mare r\u0103u. Mama-mare lucra ne\u00eentrerupt cu veri\u015foara ei, Teta Vasilichia, care locuia \u015fi ea la noi. Teta Vasilichia \u00ee\u015fi pierduse de mult \u015fi b\u0103rbatul \u015fi unicul fiu ; familia noastr\u0103 avea grij\u0103 de ea \u00eentruc\u00e2t nu mai avea pe nimeni. Cele dou\u0103 b\u0103tr\u00e2ne g\u0103teu admirabil \u015fi f\u0103ceau cur\u0103\u0163enie aproape tot timpul, cu toate c\u0103 aveam femeie de serviciu. Ele puteau sta \u00eempreun\u0103 \u00een t\u0103ceri ne\u00eentrerupte, \u00eempletind sau cos\u00e2nd. Tic-tacul orologiului umplea spa\u0163iul cu un ritm regulat ca respira\u0163ia unei fiin\u0163e nev\u0103zute, absen\u0163a cuvintelor nu le stingherea defel pe cele dou\u0103 femei. C\u00e2nd rupeau t\u0103cerea, vorbeau cu voce joas\u0103, aproape \u015foptind. Codul t\u0103cerii nu era p\u0103r\u0103sit nici c\u00e2nd alte femei \u00een v\u00e2rst\u0103 din clanul macedonean veneau \u00een vizit\u0103. Era ca \u015fi cum vorbirea ar fi fost un lux vicios, ca \u015fi cum ele toate erau prinse \u00eentr-o competi\u0163ie contunu\u0103 a st\u0103p\u00e2nirii de sine, chiar \u00een mijlocul unei solemne \u00eentruniri de familie. (Multe decenii mai t\u00e2rziu aveam s\u0103 descop\u0103r c\u0103 \u015fi locuitorii din nordul Suediei practic\u0103 \u00een felul lor ritualul t\u0103cerii. Poate c\u0103 atitudinea e caracteristic\u0103 pentru oameni din aspre regiuni muntoase, obi\u015fnui\u0163i s\u0103 dea o continu\u0103 lupt\u0103 \u00eempotriva climatului \u015fi s\u0103raciei.)<\/p>\n\n\n\n

\u00ab \u2026 g\u00e2ndirea economic\u0103 st\u0103p\u00e2nea ac\u0163iunile macedonenilor \u00bb<\/strong><\/p>\n\n\n\n

Cresc\u00e2nd, am \u00eenceput s\u0103 \u00een\u0163eleg c\u0103 g\u00e2ndirea economic\u0103 st\u0103p\u00e2nea ac\u0163iunile macedonenilor. Ceva asem\u0103n\u0103tor cu fanatismul luteran al muncii \u015fi obsesia luteran\u0103 a succesului material inspira concep\u0163ia lor despre via\u0163\u0103. Hainele vechi trebuiau p\u0103strate c\u00e2t\u0103 vreme puteau fi recondi\u0163ionate, resturile de m\u00e2ncare se reg\u0103teau, fiecare lucru nou ce urma s\u0103 fie cump\u0103rat  era de multe ori cercetat, iar cuvintele erau c\u00e2nt\u0103rite ca pe un c\u00e2ntar pentru aur. Nu se vorbea des despre bani sau afaceri, dar se amintea totdeauna discret despre economia familiei. Aici se deschideau distan\u0163e uria\u015fe \u00eentre familia tat\u0103lui \u015fi familia mamei. Ru\u015fii tr\u0103iau ca \u015fi cum banii nu ar fi existat, bog\u0103\u0163ia cuvintelor era pentru ei voluptate. Pentru macedoneni, banii erau un \u0163el \u00eenalt, mereu c\u0103utat, iar conversa\u0163ia o ispit\u0103 periculoas\u0103. (Pp. 20-21.)<\/p>\n\n\n\n

Nicolas Trifon, 12.05.2020<\/p>\n\n\n\n

Pe aceiasi tema, vezi si \u00ab textul cu valoare adaugata \u00bb publicat de Costin Damasaru pe Contributors.ro :<\/strong><\/p>\n\n\n\n

\nhttp:\/\/www.contributors.ro\/editorial\/asuprirea-\u0219i-iubirea-femeii-in-comunitatea-aromana-rolul-femeii-intre-mistificare-imagine-rol-\u0219i-crunta-realitate\/\n<\/div><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Critic de teatru reputat \u00een Rom\u00e2nia anilor \u201960, deputat\u0103 parlamentar\u0103 \u00een Suedia unde cere azil politic \u00een 1970, Ana Maria Narti zugr\u0103ve\u015fte cu o preciziune de entomologist\u0103 un tablou sesizant, pe alocuri sinistru, desigur realist \u015fi chiar hazliu al lumii arm\u00e2ne\u015fti din care provenea din partea tat\u0103lui. Examinat mai de aproape, acest tablou apare \u00eens\u0103 […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2258","post","type-post","status-publish","format-standard","hentry","category-isturii"],"yoast_head":"\nLumea arm\u00e2neasc\u0103 v\u0103zut\u0103 de Ana Maria Narti - TRA ARMANAMI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.armanami.org\/blog\/lumea-armaneasca-vazuta-de-ana-maria-narti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lumea arm\u00e2neasc\u0103 v\u0103zut\u0103 de Ana Maria Narti - TRA ARMANAMI\" \/>\n<meta property=\"og:description\" content=\"Critic de teatru reputat \u00een Rom\u00e2nia anilor \u201960, deputat\u0103 parlamentar\u0103 \u00een Suedia unde cere azil politic \u00een 1970, Ana Maria Narti zugr\u0103ve\u015fte cu o preciziune de entomologist\u0103 un tablou sesizant, pe alocuri sinistru, desigur realist \u015fi chiar hazliu al lumii arm\u00e2ne\u015fti din care provenea din partea tat\u0103lui. 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